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Alicia Keys – ‘KEYS’ review: an intriguing concept, but not a top-tier project

Alicia Keys – ‘KEYS’ review: an intriguing concept, but not a top-tier project
Alicia Keys – ‘KEYS’ review: an intriguing concept, but not a top-tier project

20 years later her dazzling introduction, ‘Melodies in A Minor’, Alicia Keys is by all accounts more productive than any other time. This eighth studio collection shows up inside 14 months of her seventh, 2020’s for the most part phenomenal ‘Alicia’, and has an eager general idea. Involved one side of alleged ‘Firsts’ and one more with ‘Opened’ remixes of large numbers of similar melodies, it’s a twofold LP with an epic 93-minute runtime – even late Drake endeavors can’t match that.





Keys has compared the different sides to “a Saturday and Sunday”, yet it very well may be more exact to call them a Sunday morning and somewhat more occupied Sunday evening. The ‘Firsts’ side is overwhelmed by the deep piano balladry that Keys has assembled her profession on. However nothing is pretty much as noteworthy as Keys works of art like ‘If I Ain’t Got You’ and ‘Fallin”, her songs are unquestionably beautiful. ‘Love When You Call My Name’ has that ageless energy that Keys does as such well, while the whirling love tune ‘Billions’ is truly influencing.





Tragically, in light of the fact that the music is a little ailing in assortment, it becomes hard to disregard some tastelessly effective verses. “For you I come firearms bursting,” Keys sings on ‘Just You’. “Insane as adoration is – it’s stunning.” It’s a rhyme that has a place on a B&M dissipate pad, not a collection by a craftsman with 15 Grammy grants to her name.The ‘Opened’ side has more surface, thanks to a limited extent to smooth highlights from US singer Khalid, who supplements Keys pleasantly on ‘Come for Me’, and rapper and vocalist Swae Lee on the steamy single ‘Lala (Unlocked)’. Co-created by Keys with Kanye West and Beyoncé colleague Mike Will Made It, a large portion of the ‘Opened’ adaptations are brisker than the ‘Firsts’, without being drastically unique. The astonishing features are ‘Daffodils’, which is transformed into a far hazier melody by its stepping modern beat, and ‘Old Memories’, which turns into a sparkling pearl deserving of early Whitney Houston. It’s a welcome update that Keys can manager a bop just as a ballad.’Unlocked’ isn’t sufficiently able to transform this into a top-level Alicia Keys collection, yet it makes it an undertaking worth researching. With some prudent pruning and sharp sequencing, any Keys fan ought to have the option to cut out a really fulfilling playlist. Along these lines, in its own unplanned way, it’s a twofold collection that turns out impeccably for the streaming time.

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